Legends and stories for the season.

October 28, 2015 § 3 Comments

Dear Colleagues:

It is Halloween time in the United States and many other places. Whether a native tradition, or an imported commercial scam, the fact is that Halloween is now a part of many lives.  In past years, I have used this space to talk about the history of Halloween, horror movies, and even monsters and ghouls.  This time I leave to others the task of looking for the links between Halloween and the Day of the Death, and I will not even bother to refute those who are going around saying that the Mexican ceremonies from Michoacán state have their roots in Aztec culture when the Aztecs were not even from that part of the country.  This year I decided to share with you five of my favorite ghost stories and spooky legends from the Spanish speaking world. There are plenty more, including many stories from the rest of the world that I have also made my favorites and I will probably share in the years to come, but for now, please let me tell you the following stories and legends, so go ahead, dim the lights, get under the blanket, and prepare yourselves to be spooked:

Ánimas Mountain (El Monte de las Ánimas. Spain)

The story tells us that a long time ago, during the Arab occupation of Spain, the King of Castile asked the Knights Templar to come to Soria, a village in his kingdom and help him defend the city. Unfortunately, this made the local aristocrats angry as they thought that they were brave and skilled enough to defend the kingdom. The situation got worse because the Knight Templars controlled Ánimas Mountain, a place reach with game and a hunters’ paradise. As a result, the noble Castilians had to find their food somewhere else. They did not succeed and lived a life of austerity while the knights were hunting and enjoying the abundance of the mountain. Soon, both groups met in fierce battle that left Ánimas Mountain full of corpses that were eaten by the wolves. The king intervened and banned them all from going back to the mountain turning it into a desolated sight with a decaying Knights Templar chapel.  It is said that ever since, on the eve of the Day of the Dead, the chapel’s bell can be heard, and the souls of the warriors come back to the mountain wearing their torn battle suits and leaving their grim footprints behind. For many years people were cautioned not to go to the mountain on the Day of the Dead’s eve.

Then, many years later, Alonso, a young aristocrat from Soria, who was in love with Beatriz, a beautiful young woman who was visiting the village, and staying at the Count of Alcudiel’s palace, announced that she was going to leave the village and live in France. Alonso, devastated, confessed his love and told her of his fear of losing her forever. To this confession, Beatriz replied that in her kingdom there was a tradition where the gentleman would give the lady a garment or a personal item to pledge his love. Immediately, Alonso gave her the brooch that held the feather to his cap, and asked her what she was going to give him in return. She told him that she would pledge her blue ribbon. She looked for it, and realized that she had lost in on the mountain earlier that day, so she asked him to go to Ánimas Mountain and retrieve it.  Alonso admitted that he was afraid to go to the mountain that night, but she did not change her mind. Finally full of fear, Alonso got on his horse and off he went in search of the blue ribbon.

As the night got darker, Beatriz heard noises, a bell, and horrible screams coming from the mountain until she finally fell asleep. The following morning she woke up to the screams of nobles and commoners alike. They were yelling that young Alonso had died on the mountain the previous night. She got out of bed to go outside, and that was the moment when she saw a torn bloody blue ribbon on her bed. When the servants reached her chambers to tell her of Alonso’s death, they found Beatriz dead; her face had with a horrible expression: She had been scared to death!

From that day on, the legend tells that on every Day of the Dead’s eve, the skeletons of many warriors can be seen fighting all over the mountain, and if you pay special attention, you can see the figure of a pale barefooted bloody woman yelling and screeching around Alonso’s grave.

The House of Don Juan Manuel (La casa de don Juan Manuel. Mexico)

There was a house in 16th Century Mexico City, the colonial capital of New Spain. It’s address: 94 Uruguay Street. It was the home of Don Juan Manuel de Solórzano, a wealthy man who was married to a beautiful woman who happened to be much younger than him. Don Juan Manuel was very jealous and he firmly believed that his wife was cheating on him. To find out who was her lover, he invoked the devil and made a deal: Don Juan Manuel gifted his soul to the devil in exchange for the name of his wife’s lover. Once the deal was sealed with Satan, Don Juan Manuel learned that his wife had been loyal to him all along, but it was too late.  The house still exists in Mexico City and it is presently used as an events ballroom. It is said by many that at night you can see a man dressed in 16th Century fashion who paces in front of the main entrance and approaches those who go by the house and asks them the same question: “What time is it?” and when the answer happens to be: “eleven o’clock”, Don Juan Manuel just answers back: “How fortunate is the man who knows the time of his death”.

La Tunda (Colombia)

Do not confuse the name with the Spanish word for a beating. It has nothing to do with it. It is said that for centuries, a horrific creature has inhabited the forests of Colombia’s Pacific coast. This monster has an insatiable appetite for human flesh and it prefers small children. Hunters and their families can be tricked by this creature at night when it takes the shape of a beautiful woman to trap men, and imitates the voice of a child’s mother to lure them into the forest where it holds them prisoners in a cave until it eats them one by one. The legend says that in order to keep them from running away, the creature feeds them seafood with special powers that paralyze the body leaving the victims totally helpless.  Many say that even now, especially in the Chocó region of Colombia, you can hear this motherly voice calling for its victims at night.

The Legend of Caá-porá (Paraguay)

There is a giant with a huge head who lives in the Guaraní Mountains of Paraguay. This huge being can only be seen in the most inaccessible parts of the mountains, but those who have encountered it, claim that he smokes a macabre pipe made of a human skull. Caá-porá will not harm those who go to the mountains to hunt for their own food, sometimes he even guides their dogs to the prey. However, this giant is ruthless with hunters who go to the mountains for the sole purpose of hurting the animals. Those hunters will face Caá-porá who will devour the animals before the hunters can get to them, spoiling their hunting trip. On other occasions, this big-headed giant can confuse the dogs so they cannot find any game, and kill the hunters to eat them.  It is said that those who have escaped the giant and made it back to civilization, come back under a spell and are never the same. Now you know, so the next time you go to the Guaraní Mountains and run into a hunter who may look bewitched, dozing or sleepy, you will have met a victim who escaped from Caá-porá.

Súpay (Argentina)

Also known as Zúpay, is a devil known since the days of the Incas. Súpay lives in the northern and central regions of Argentina in an underground cave named Salamanca. His home was originally called Supaihuasin (hell in Quichua).  This devil dresses all in black with a broad hat, gold and silver ornaments, spurs, a dagger, and a guitar. On Tuesday and Friday nights, it rides its horse until it finds some unsuspecting travelers. He asks them to dinner, and after hours of food and drinking, and once Súpay has entertained its guests with his guitar, he proposes a deal to his victims: their souls in exchange for temporary fortune and reaches.  Súpay followers visit his underground cave to learn his black magic and other means to hurt people.

I did my part to put you on the Halloween mood, now I ask you to please share with us other chilling legends or stories from your countries.

Las Posadas: The Mexican Christmas Season and Terminology.

December 19, 2014 § 7 Comments

Dear colleagues:

Every year when December comes along I find myself answering questions from friends and acquaintances about how Latin America, and specifically Mexico, celebrate the holiday season. American friends who want to organize a celebration for their children, school teachers who are staging the festivities for the school play, community center activists who want to celebrate the season with a cultural event, come to me to learn about the traditions, food, celebrations, and vocabulary.  Because this year has not been different, I decided to repost one of my most popular articles where I write about the most Mexican of these traditions: The posada. In Mexico the fiestas decembrinas begin unofficially with the day of Our Lady of Guadalupe, and last through January 6 when they celebrate the Día de Reyes (Three Kings Day) but the festivities are in full swing with the beginning of the posadas. Mexicans celebrate the posadas every evening from December 16 to 24. They actually started as a Catholic novenario (nine days of religious observance based on the nine months that María carried Jesus in her womb). The posadas re-enact Mary and Joseph’s journey from Nazareth to Bethlehem in search of shelter; the word posada means “lodging” in Spanish.

Posada drawing

Traditionally, a party is held each night in a neighborhood home. At dusk, guests gather outside the house with children who sometimes dress as shepherds, angels and even Mary and Joseph. An “angel” leads the procession, followed by Mary and Joseph or by participants carrying their images. The adults follow, carrying lighted candles.

The “pilgrims” sing a litany asking for shelter, and the hosts sing a reply, finally opening the doors to the guests and offering Mexican traditional Christmas dishes such as hot ponche, a drink of tejocotes (a Mexican fruit that tastes like an apricot/apple) guavas, oranges, sugar cane, and cinnamon mixed and simmered in hot water and served with rum or brandy; fried crisp Mexican cookies known as buñuelos, steaming hot tamales, a staple of the Mexican diet since pre-Hispanic days, and other festive foods.

Ponche

Spanish priest and chronicler Bernardino de Sahagún observed that the first thing Aztec women did when preparing a festival was to make lots of tamales: tamales with amaranth leaves for the fire god Xiuhtecuhtli, tamales with beans and chiles for the jaguar god Tezcatlipoca, shrimp and chile sauce tamales for the ancient deity Huehuetéotl. Besides tamales stuffed with turkey meat, beans and chiles, the Aztecs used what they harvested from the shores of Lake Texcoco, including fish and frogs, to fill tamales. Sahagún tells us that pocket-gopher tamales were “always tasty, savory, of very pleasing odor.” The Maya also produced artistic, elaborate tamales; toasted squash seeds and flowers, meat, fish, fowl, and beans were all used as fillings. Deer meat, especially the heart, was favored for special offerings. Besides being steamed, tamales were roasted on the comal (grill) or baked in the pib, or pit oven.

Finally, after everybody ate and had fun, the party ends with a piñata. In some places, the last posada, held on Christmas Eve (December 24) is followed by midnight Catholic mass, a tradition that lives on in countless Mexican towns.

Pinata

These are the lyrics to the traditional posada litany.  I have included the original Spanish lyrics and a widely accepted English translation that rimes with the tune. Now you can sing the litany in Spanish or in English at your next posada, or even better, have a bilingual posada and sing the litany twice.

                        Español

English

Outside   Singers

Inside   Response

Outside   Singers

Inside   Response

En el nombre del cielo
os pido posada
pues no puede andar
mi esposa amada.
Aquí no es   mesón,
sigan adelante
Yo no debo abrir,
no sea algún tunante.
In the name of Heaven I beg you for lodging,
for she cannot walk
my beloved wife.
This is not an inn
so keep going
I cannot open
you may be a rogue.
No seas   inhumano,
tennos caridad,
que el Dios de los cielos
te lo premiará.
Ya se pueden ir
y no molestar
porque si me enfado
os voy a apalear.
Don’t be inhuman;
Have mercy on us.
The God of the heavens
will reward you for it.
You can go on now
and don’t bother us,
because if I become annoyed
I’ll give you a trashing.
Venimos rendidos
desde Nazaret,
yo soy carpintero
de nombre José.
No me importa el   nombre,
déjenme dormir,
pues que yo les digo
que no hemos de abrir.
We are worn out
coming from Nazareth.
I am a carpenter,
Joseph by name.
I don’t care about your name:
Let me sleep,
because I already told you
we shall not open up.
Posada te pide,
amado casero,
por sólo una noche
la Reina del Cielo.
Pues si es una   reina
quien lo solicita,
¿cómo es que de noche
anda tan solita?
I’m asking you for lodging
dear man of the house
Just for one night
for the Queen of Heaven.
Well, if it’s a queen
who solicits it,
why is it at night
that she travels so alone?
Mi esposa es   María,
es Reina del Cielo
y madre va a ser
del Divino Verbo.
¿Eres tú José?
¿Tu esposa es María?
Entren, peregrinos,
no los conocía.
My wife is Mary
She’s the Queen of Heaven
and she’s going to be the mother
of the Divine Word.
Are you Joseph?
Your wife is Mary?
Enter pilgrims;
I did not recognize you.
Dios pague,   señores,
vuestra caridad,
y que os colme el cielo
de felicidad.
¡Dichosa la casa
que alberga este día
a la Virgen pura.
La hermosa María!
May God pay, gentle folks,
your charity,
and thus heaven heap
happiness upon you.
Blessed is the house
that shelters this day
the pure Virgin,
the beautiful Mary.
Upon opening the doors at the final   stop, the tune changes, the pilgrims enter, and all sing these final verses   in unison:
Entren, Santos   Peregrinos,
reciban este rincón,
que aunque es pobre la morada,
os la doy de corazón.
Enter, holy pilgrims,
receive this corner,
for though this dwelling is poor,
I offer it with all my heart.
Oh, peregrina   agraciada, oh, bellísima María. Yo te ofrezco el alma mía para que tengáis   posada. Oh, graced pilgrim,
oh, most beautiful Mary.
I offer you my soul
so you may have lodging.
Humildes peregrinos
Jesús, María y José,
el alma doy por ellos,
mi corazón también.
Humble pilgrims,
Jesus, Mary and Joseph,
I give my soul for them
And my heart as well.
Cantemos con   alegría
todos al considerar
que Jesús, José y María
nos vinieron a honrar.
Let us sing with joy,
all bearing in mind
that Jesus, Joseph and Mary
honor us by having come.

Peregrinos

I wish you all a happy holiday season.  Please feel free to contribute to this post by sharing some holiday traditions from your home countries.

Las Posadas: The Mexican Christmas Season and Terminology.

December 14, 2012 § 2 Comments

Dear colleagues:

Every year when December comes along I find myself answering questions from friends and acquaintances about how Latin America, and specifically Mexico, celebrate the holiday season. American friends who want to organize a celebration for their children, school teachers who are staging the festivities for the school play, community center activists who want to celebrate the season with a cultural event, come to me to learn about the traditions, food, celebrations, and vocabulary.  Because this year has not been different, I decided to write about the most Mexican of these traditions: The posada. In Mexico the fiestas decembrinas begin unofficially with the day of Our Lady of Guadalupe, and last through January 6 when they celebrate the Día de Reyes (Three Kings Day) but the festivities are in full swing with the beginning of the posadas. Mexicans celebrate the posadas every evening from December 16 to 24. They actually started as a Catholic novenario (nine days of religious observance based on the nine months that María carried Jesus in her womb). The posadas re-enact Mary and Joseph’s journey from Nazareth to Bethlehem in search of shelter; the word posada means “lodging” in Spanish.

Posada drawing

Traditionally, a party is held each night in a neighborhood home. At dusk, guests gather outside the house with children who sometimes dress as shepherds, angels and even Mary and Joseph. An “angel” leads the procession, followed by Mary and Joseph or by participants carrying their images. The adults follow, carrying lighted candles.

The “pilgrims” sing a litany asking for shelter, and the hosts sing a reply, finally opening the doors to the guests and offering Mexican traditional Christmas dishes such as hot ponche, a drink of tejocotes (a Mexican fruit that tastes like an apricot/apple) guavas, oranges, sugar cane, and cinnamon mixed and simmered in hot water and served with rum or brandy; fried crisp Mexican cookies known as buñuelos, steaming hot tamales, a staple of the Mexican diet since pre-Hispanic days, and other festive foods.

Ponche

Spanish priest and chronicler Bernardino de Sahagún observed that the first thing Aztec women did when preparing a festival was to make lots of tamales: tamales with amaranth leaves for the fire god Xiuhtecuhtli, tamales with beans and chiles for the jaguar god Tezcatlipoca, shrimp and chile sauce tamales for the ancient deity Huehuetéotl. Besides tamales stuffed with turkey meat, beans and chiles, the Aztecs used what they harvested from the shores of Lake Texcoco, including fish and frogs, to fill tamales. Sahagún tells us that pocket-gopher tamales were “always tasty, savory, of very pleasing odor.” The Maya also produced artistic, elaborate tamales; toasted squash seeds and flowers, meat, fish, fowl, and beans were all used as fillings. Deer meat, especially the heart, was favored for special offerings. Besides being steamed, tamales were roasted on the comal (grill) or baked in the pib, or pit oven.

Finally, after everybody ate and had fun, the party ends with a piñata. In some places, the last posada, held on Christmas Eve (December 24) is followed by midnight Catholic mass, a tradition that lives on in countless Mexican towns.

Pinata

These are the lyrics to the traditional posada litany.  I have included the original Spanish lyrics and a widely accepted English translation that rimes with the tune. Now you can sing the litany in Spanish or in English at your next posada, or even better, have a bilingual posada and sing the litany twice.

                        Español

English

Outside   Singers

Inside   Response

Outside   Singers

Inside   Response

En el nombre del cielo
os pido posada
pues no puede andar
mi esposa amada.
Aquí no es   mesón,
sigan adelante
Yo no debo abrir,
no sea algún tunante.
In the name of Heaven I beg you for lodging,
for she cannot walk
my beloved wife.
This is not an inn
so keep going
I cannot open
you may be a rogue.
No seas   inhumano,
tennos caridad,
que el Dios de los cielos
te lo premiará.
Ya se pueden ir
y no molestar
porque si me enfado
os voy a apalear.
Don’t be inhuman;
Have mercy on us.
The God of the heavens
will reward you for it.
You can go on now
and don’t bother us,
because if I become annoyed
I’ll give you a trashing.
Venimos rendidos
desde Nazaret,
yo soy carpintero
de nombre José.
No me importa el   nombre,
déjenme dormir,
pues que yo les digo
que no hemos de abrir.
We are worn out
coming from Nazareth.
I am a carpenter,
Joseph by name.
I don’t care about your name:
Let me sleep,
because I already told you
we shall not open up.
Posada te pide,
amado casero,
por sólo una noche
la Reina del Cielo.
Pues si es una   reina
quien lo solicita,
¿cómo es que de noche
anda tan solita?
I’m asking you for lodging
dear man of the house
Just for one night
for the Queen of Heaven.
Well, if it’s a queen
who solicits it,
why is it at night
that she travels so alone?
Mi esposa es   María,
es Reina del Cielo
y madre va a ser
del Divino Verbo.
¿Eres tú José?
¿Tu esposa es María?
Entren, peregrinos,
no los conocía.
My wife is Mary
She’s the Queen of Heaven
and she’s going to be the mother
of the Divine Word.
Are you Joseph?
Your wife is Mary?
Enter pilgrims;
I did not recognize you.
Dios pague,   señores,
vuestra caridad,
y que os colme el cielo
de felicidad.
¡Dichosa la casa
que alberga este día
a la Virgen pura.
La hermosa María!
May God pay, gentle folks,
your charity,
and thus heaven heap
happiness upon you.
Blessed is the house
that shelters this day
the pure Virgin,
the beautiful Mary.
Upon opening the doors at the final   stop, the tune changes, the pilgrims enter, and all sing these final verses   in unison:
Entren, Santos   Peregrinos,
reciban este rincón,
que aunque es pobre la morada,
os la doy de corazón.
Enter, holy pilgrims,
receive this corner,
for though this dwelling is poor,
I offer it with all my heart.
Oh, peregrina   agraciada, oh, bellísima María. Yo te ofrezco el alma mía para que tengáis   posada. Oh, graced pilgrim,
oh, most beautiful Mary.
I offer you my soul
so you may have lodging.
Humildes peregrinos
Jesús, María y José,
el alma doy por ellos,
mi corazón también.
Humble pilgrims,
Jesus, Mary and Joseph,
I give my soul for them
And my heart as well.
Cantemos con   alegría
todos al considerar
que Jesús, José y María
nos vinieron a honrar.
Let us sing with joy,
all bearing in mind
that Jesus, Joseph and Mary
honor us by having come.

Peregrinos

I wish you all a happy holiday season.  Please feel free to contribute to this post by sharing some holiday traditions from your home countries.

The First Interpreter in the New World.

August 13, 2012 § 12 Comments

Dear Colleagues,

As interpreters and translators we know that every job we do is very important and some of it will even transcend.  Today I want to focus on the pioneer of our profession in the Americas.  491 years ago, on a day like today: August 13, 1521 the Spaniards finally defeated the Aztec Empire and conquered Tenochtitlan where they founded what we know now as Mexico City.  At first glance, it seems that this incredible feat was accomplished by a handful of conquistadors and a fearful Aztec emperor who considered them gods.

Modern research has discarded that version of history as we now know that it was a more complex succession of events that led to the fall of the most powerful nation west of the Atlantic Ocean.  A big part of the outcome, if not the most important part, was brought about by a native woman of a lower-noble family from the Aztec Empire frontier, now the Mexican State of Veracruz.  Her birth name was Malinalli, the name of one of the 20 days of the Aztec month, but as she grew up, she became known as Malinalli Tenépal. The Náhuatl word Tenépal means “a person who speaks a lot with enthusiasm and fluency.”  Sounds familiar?

When Spanish conquistador Hernán Cortés arrived in what is now Tabasco México and defeated the Chontal Mayans, she was among the slave women he received as a present.  The Spaniards noticed right away that Malinalli, or Marina as the conquistadors named her, spoke the local Chontal Maya language and her birth tongue: Náhuatl, the language spoken by the Aztecs.  It became very clear that this girl, probably around 19 years of age, was very sharp, very pretty by all accounts, and had a gift for learning foreign languages.  At the beginning, while she learned Spanish, Cortés used her as his Chontal Maya <> Náhuatl interpreter. She worked together with Gerónimo de Aguilar, a Spanish priest Cortés freed from the Mayans after years of captivity and knew Chontal, doing relay interpreting.  It wasn’t long before she learned Spanish and Cortés realized how skilled she was, so she became his personal interpreter.

Malinali and Cortes before Montezuma

Doña Marina, as the Spaniards referred to her, or Malintzin, as the natives called her (“Malin” being a Náhuatl mispronunciation of “Marina” and “-tzin” a reverential suffix for “Doña”) interpreted for Cortés in at least three combinations: Spanish, Náhuatl, and Chontal Maya, and there is reason to believe that she also spoke, or later learned other Mayan dialects as she served as interpreter for Cortés in what is now Honduras.  Testimonial and written accounts describe her interpreting consecutively and also doing whisper-interpreting for Cortés during many of the most important meetings with the native lords, including Montezuma, the Aztec emperor.  In fact Malinalli’s role went beyond mere interpreting; she was a cultural broker who helped Cortés to successfully establish alliances with natives who were enemies of the Aztecs like the Tlaxcalans. She also taught Aztec culture to Cortés, and even protected him by warning him of an assassination attempt that had been planned while they were staying in Zempoala, the same way modern-day military interpreters are trained to do if they ever find themselves in that situation.

It is clear that the fall of the Aztec Empire would have taken longer, and the outcome of the conquest would have been different if there had not been a Doña Marina.  Rodríguez de Ocaña, a conquistador that served during the conquest relates Cortés’ assertion that “…after God, Marina was the main reason for (his) success…”  In the “True Story of the Conquest of New Spain,” the widely acclaimed eye-witness account of the conquest, Bernal Díaz del Castillo repeatedly refers to her as a “great lady” always using the honorific title: “Doña.”

Very few interpreters have had the opportunity to be the “first” to do anything, and despite the fact that many Mexicans consider her a “traitor” for helping the Spaniards, on this anniversary of the fall of the Aztec Empire, as interpreters we should remember this pioneer of our profession, salute all the things that she did instinctively right without knowing formal interpretation, and recognize her for her key role in the fusion of two worlds until then apart. She was truly a bridge between two cultures that knew nothing of each other.  I would like to hear your comments about Doña Marina and her role in the history of interpretation.

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